![]() ![]() ![]() “It doesn’t tell you what to think,” Katharina Kubrick says of the film, the first of her father’s works she was old enough to see on its release. With the eerie György Ligeti music piped in (and, elsewhere, Aram Khachaturian and Strausses both Richard and Johann) one is quickly reminded that all this behind-the-scenes magic wouldn’t mean much without the ideas Kubrick and Clarke dreamed up. Not that I’d ever let go of the suspension of disbelief. Photograph: Skye Morse-Hodgson / Museum of the Moving Image Katharina Kubrick speaks at a press briefing. Seeing the enormous schematics and large-format photos finally brought that home. I’ve read about Douglas Trumbull’s creative use of the slit-scan technique (which the twentysomething tinkerer essentially invented on the fly) but I’ve never quite understood it before. The model ships, drawings, sketches, costume tests, helmets, props, walls of index cards and apeman suits are what one expects from an exhibit like this, but what grabbed me most was a special section dedicated to the stargate sequence. One can also inspect the deals with groups like Hilton Hotels or Parker Pens because even an arthouse masterpiece from the 1960s made room for spon-con. No detail in the finished film wasn’t thoroughly discussed between the production team and groups like the Rand Corporation or Ordway Research. Her father’s exhaustive research is made wonderfully evident in the exhibit with large amounts of correspondence on show, awaiting a deep dive. It’s Goat, or whatever it is,” she joked, mentioning its frequent revivals and the recent Christopher Nolan-led “unrestored” release. “Today,” she continued, “young people are very enthusiastic about the film. Photograph: Skye Morse-Hodgson/Museum of the Moving Image Reproduction by Stephen Dymszo, with Karl Tate, 2015. See the other files that I have uploaded that complete the entire suit.A model of the Orion III space plane, from about 1965, designed by Harry Lange. The construction of this suit can be found on here. This was recreated from Movie stills and as close to the movie props possible. ![]() The only known suit used in the movie was recently sold in 2020 for over $330,000. The actual suits from the movie were destroyed and only one or two are known to exist. See how I did made the entire suit and helmets at the link below. I also supply the word file for making your own decals on Hobby Decal sheets you run through a printer. The DISCOVERY Suit set is different from the CLAVIUS Suit set in the helmets (rear modules are different) and in the Body Environment packs / Chest boxes. Again follow my instructable to see how to sew the suit. Refer to the instructables link below for how to put it all together. The photos are actual props made from all the files here for purchase. I give you all the files for all the parts - you have to take it from there. Meaning you buy this file set, you 3d Print out the parts, and YOU assemble it. This kit contains all files for making the Helmet, Chest box, Jet Pack, and Suit connections (only, not the sewn suit) for replicating a space suit in the likeness of the movie props. This is a digital file set in *.STL code for 3D printing. ![]() UPDATED VETRSION FOR NEW HELMET RING SET !įrom the 1968 SyFy classic 2001- A Space Odyssey by Arthur C. THIS IS A DIGITAL FILE - NOT AN ACTUAL SPACE SUIT. ![]()
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